SOUNZ Is Proud To Release Episode 2 'The Vegetable Club' Of The Podcast Series 'The Magpie House' | Scoop News – Scoop

Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | <a href="http:///” style=”white-space: nowrap”>Search

In 1951 a modernist, black and white house is built at 22 Ascot Terrace in Wellington. Meanwhile, in post-war New Zealand there’s a stark division between left and right. It’s hard to fully comprehend the paranoia of the time against Communism and the Soviets.
In this episode we hear the story of an innocent social club—a vegetable co-op—that comes to be spied on by the Special Branch of the New Zealand Police, and of two talented young diplomats, including the owner of The Magpie House Richard Collins, whose careers and reputations would be damaged as a result.
Who was the spy? And what was it like to live under a cloud of suspicion in a city as small as Wellington? Seventy years later, the ‘children of the Vegetable Club’ tell their parents’ stories.
“We had a spy living with us when I was a student. I knew he was a spy when I came home one day and found that he’d taken the telephone apart and he didn’t seem to know how to put it back together.”
“They were told they’d never get a posting again … They were the victims, they were the eviscerated bodies hung out to dry and that was because they were diplomats and were involved in policy and foreign policy and things like that.”
The series is expertly created and hosted by Kirsten Johnstone who is a music journalist and former producer and broadcaster for RNZ.
Episode 2 link: https://news.sounz.org.nz/the-magpie-house-002/
The Magpie House series link: https://news.sounz.org.nz/the-magpie-house/
Episode 1: Landfall in Unknown Seas Release date — 22 November
Episode 2: The Vegetable Club Release date — 29 November
Episode 3: Release date — 6 December
Episode 4: Release date — 13 December
© Scoop Media

a.supporter:hover {background:#EC4438!important;} @media screen and (max-width: 480px) { #byline-block div.byline-block {padding-right:16px;}}

 

Howard Davis: Emerald Fennell’s Promising Young Woman’

The Guardian needed not one, but three reviews to do justice to Fennell’s unsettling approach, which indicates exactly how ambiguous and controversial its message really is. More>>

Howard Davis: Jill Trevelyan’s Rita Angus
Although Angus has become one of Aotearoa’s best-loved painters, the story of her life remained little known and poorly understood before Jill Trevelyan’s acclaimed and revelatory biography, which won the Non Fiction Award at the Montana New Zealand Book Awards in 2009, and has now been republished by Te Papa press. More>>

Howard Davis: The Back of the Painting
Painting conservators are the forensic pathologists of the art world. While they cannot bring their subjects back to life, they do provide fascinating insights into the precise circumstances of a painting’s creation, its material authenticity, and constructive methodology. More>>


Howard Davis: Black Panthers on the Prowl

A passionate and gripping political drama from Shaka King, this is an informative and instructive tale of human frailty that centers around the charismatic Chicago Black Panther leader Fred Hampton, who was murdered at the age of twenty-one during a police raid. More>>
Howard Davis: Controlling the High Ground
Stephen Johnson’s raw and angry film not only poses important questions with scrupulous authenticity, but also provides a timely reminder of the genocidal consequences of casual bigotry and xenophobia. More>>

Howard Davis: Dryzabone – Robert Conolly’s The Dry
After the terrible devastation caused by last year’s bushfires, which prompted hundreds of Australians to shelter in the ocean to escape incineration and destroyed uncountable amounts of wildlife, The Dry has been released during a totally different kind of dry spell. More>>

Howard Davis: Hit the Road, Jack – Chloé Zhao’s Nomadland
Nomadland is perhaps the ultimately ‘road’ movie as it follows a group of dispossessed and disenfranchised vagabonds who find a form of communal refuge in camp sites and trailer parks after the economic contraction of 2008. More>>

source